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© All images are the original work and property of Margaret Hage and are subject to copyright.
Working with textiles is a natural response to the story of my life. My love for working in any textile medium was seeded by both my grandmothers who taught me to sew, mend, stitch, knit and crochet. Perhaps one of the most significant legacies that they left with me was my appreciation for using vintage materials and repurposing materials. A strong sense of waste not was installed in me. I am very fortunate to have some of their. along with some of both Great Grandmothers, work box and sewing machine drawer contents. There are buttons, trimming and fabric remnants kept, as well as a large collection of textiles I have gathered during my travels over many years. I went on to study art embroidery, tapestry weaving, spinning and weaving and have continued to work with textiles over may years, often using my found and precious materials, vintage and antique treasures. I print, paint, dye, stitch, transfer images use digital techniques, hand embroider and stitch, machine embroider and stitch, quilt, and sometimes combine small weavings, knitting and crochet into my work. My need to continually experiment and push boundaries about what I understood were traditional constraints is a very organic process of r me. I embed the 'what if' factor into almost every piece of work I do. Mostly I do not separate the way I stitch from the way I might paint or draw, the way I collage to the way I piece a quilt, to me they are similar in many ways, just that I will use thread or fabric instead of paint or pastel to paint and sewing machine instead of charcoal stick or brush to draw. I'm enthralled by textiles, in any location I have travelled to. I have a large collection of ethnic, cultural, and vintage textiles to inspire me and as a reference for my work.
Art Textile with intense hand embroidery stitched onto linen. Centre embroidered work has a pieced border of hand painted linen and stitched detailing. Work has been backed by pure cotton quilt batting and cotton and laced over acid free board. The work is then mounted onto hand painted linen back and box framed.
© All images are the original work and property of Margaret Hage and are subject to copyright.